How Do I Order and Buy?

Almost everything you see on this site is for sale! If you are interested in buying a print, contact us and we'll talk to you about payment arrangements and shipping. You can contact us securely by clicking this link. You could also call us at 413-245-4197. We look forward to hearing from you!

Buy Antique Lithographs & Hand Colored Engravings


Buy antique lithographs & hand colored engravings from a second generation rare antique prints dealer that specializes in the best unusual natural history material ever produced during the 17th, 18th and 19th Centuries.

Your source for the best rare antique prints!

Your source for the best rare antique prints!

Buy Now Shop & Buy in Real Time for Antique Flower Prints!

See a wonderful, desktop version of available collection of Antique Botany Prints

Order Beautiful Antique Lithographs

Antique prints capture a specific time and place in history, conveying the aesthetic of their era. At Anne Hall Antique Prints, our goal is to connect you with that moment in history and bring its aesthetic back to life on the wall of your home or office.

Discover the Anne Hall Difference

Founded by a husband-and-wife team of rare art dealers, Anne Hall Antique Prints specializes in historic American and European nature-focused artifacts of early printed matter. We’re experienced antique print dealers, and we work with an expert team of fellow art dealers and historians to uncover rare and unusual artifacts.

Because of our team’s diligent efforts, we’re able to offer an encyclopedic collection of original prints from the 17th, 18th, and 19th centuries. The subjects of our prints are as far-reaching as the time frames they come from. We sell stunning prints of animals, human anatomy, birds, sea life, insects, fish, edibles, wine, and architecture.

Click through our extensive inventory to find the perfect antique print for your home or workplace.

Place Your Order With Us Today

To order one of our antique lithographs or other prints, fill out our contact form with the image’s name and caption and your contact information. Our staff will call you to arrange payment and shipping. If you’d prefer, you can call us directly at 413-245-4197 and place your order.

We offer all of our prints with discounts on sets. On some of our prints, we offer framing. We do offer international shipping.

 See Our Antique Lithographs & Engravings at a Future Show:


The Lebanon Antiques Show
March 19, 10-3, 2017



Connecticut Spring Antiques Show
March 25-26, 2017

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“The history of printing of antique lithographs & engravings is fascinating!”

Sometimes I ponder why Mid 17th, and 18th and 19th Century naturalists wanted to study the natural world.  Why were all these amazing antique lithographs and engravings produced?  Here I will explain… The time had come that  living birds, animals and the vegetative world was of interest.  Most early naturalists tried to observe their subjects in their natural environments. Many worked from one other’s work and collected specimens.  Some of these avid individuals were funded by someone else such as Royalty, Clergy, Noblemen, and others were very poor, and starved travelling hither and yond.  Many were trying to prove their hypotheses regarding evolution.  Notations from observations and developing scientific evidence could explain the world… The rage of museums of curiosities became chic for everyone to see all the specimens brought back from far away places.  Wild tales of dangerous exploring expeditions and written accounts kept like diaries, some with profuse illustrations, were of interest to everyone.  The universal delivery, of all these recent discoveries and new information,  was to publish readable material for the masses.  Publishers went balistic and printed as much as they could produce for all their new and demanding readers, oftentimes by subscription.  Whereas much of all the published from Medevil times through the mid 17th Century revolved around religous subject matter.  Now the focus could be any subject,  but the beauty of the natural world was in first place.  This was done by publishing all kinds ephemera, catalogues, portfolios, periodicals and books.  Many of which were beautifully illustrated with hand colored, lithographs and engravings.  Once readers would receive part of what they subscribed to,  they demanded more!  

I am constantly trying to learn new bits of information regarding how and why antique lithographs and engravings were made. What was it like to be an apprentice, or shop owner,  at or of, a place of business of antique lithographs and engravings.  I have done so by speaking with expert historians and by seeing collections documenting the histories of early publications of the 17th and 18th and 19th Centuries.  Even collecting old prints on these and related subjects.   In spare time, and often when away exhibiting at shows, I frequent museums such as the American Bookbinders Museum in San Francisco or the Thomas Isaiah Printing office at Old Sturbridge Village in Massachusetts and at Colonial Williamsburg.  Regarding subject matter: I have had countless opportunity to speak with scientists and expert gardeners etc., which has complemented my knowledge on specific subjects and collections I sell.

My website consists of old prints, published in obsolete printing methods, that are obsolete today.  The entire subject revolves about how fast information could be published for readership. Readership in the old days revolved around money and new discoveries, especially in areas pertaining to natural history. If one could discover a new species of animal, fish, flower or insect… Wow! That would boost the desire for information from the general public, and the educated, and the rich.  For it was those people who managed to finance early printing.  Early printing, by massively producing  of Bibles, instead of using scribes to hand write psalms and bibles.  It had a trickle down effect. Like today, in the OLD days, desire for information lead to wanting more information. Hence the production of publishing. First to publish religious material. Only the high priests could convey the printed messages. This lasted for a long time. Around 1800 or so, more people read. It was fashionable to be educated. So the printers had to publish more material faster, so that everyone could be on board, literally. Everyone could understand a beautiful illustration. They did not have to understand the words, but it encouraged understanding. Soon, the publications became subscriptions, everyone wanted them. Like today, everyone wants the latest devise. Initially periodical subscriptions were made to those who could afford it: royalty, clergy, noblemen, etc. Who could read? The answer is only the educated, super wealthy, religious, clergy, nobility… they subscribed and read these early periodicals. It was a great pass time in the old days. Men would sit in parlors discussing expeditions. Women would talk in parlors about a special flower. Interests and hobbies. Subjects could include information about a species of flower that grew here or an animal that was seen there. Oftentimes on expeditions, specimens were collected and captured, many alive, many did not survive the journeys home, nor the conditions relocated. Many journeys were three month at sea. Imaging a Giraffe, being brought from Africa to England, via a three month ship’s voyage, to arrive just barely alive, just as the ship’s crew, to Great Britain. In the 18th and 19th Centuries museums of curiosities became the rage. Hoards of people would rush to museums to see exotic specimens brought home from expeditions of early explorers and naturalists. Royalty, Clergy financed explorations and hence the illustrations, publications that developed from trips. Often times young men, early scientists, aboard ships recorded the natural history sightings they saw along the way. They recorded every detail of the natural history specimens they came across. All of this absolutely fascinated the public. And so the history of illustration, depicting and describing what had been found, along these tremendous explorations was found. How fast the information moved forward can be seen through the history of printing. Exactly as the way things are moving forward these days, so did printing history. It started with very slow laborious hand drawn pages by scribes and monks onto velum, to copper plate engraving on hand made hand laid linen rag paper, and moved forward to faster and faster printing, from lithography, hand colored or not to printing in colors, chromolithography. All driven by readership subscriptions. It all ended about 1900. when photographic printing became the 20th century tool, to today, when everything is digital and untouchable on the internet.

Recap:  I sell antique lithographs & engravings published during the 17th, 18th and 19th Centuries.  We have obtained them from old periodicals, catalogs, and books, etc.  Books were frequently issued in parts and issued by subscription, later bound as books by savvy collectors. The publications were full of lovely old illustrations, many which were hand colored.  Fabulous illustrations were included by authors and contributors.  Illustrations of flora and fauna were very popular. Later historical events became the craze for early newspapers.  All of these subscriptions were important during the, 17th, 18th & 19th Centuries.  The latest décor, trends and styles made history with tremendous artwork. Newly discovered flora and fauna seemed to interest everyone, especially the wealthy including physicians, clergy & royalty.

Sorry, you missed seeing our fabulous collection of antique lithographs & engravings at these past events: