Insect prints showing butterfly transformations & metamorphoses by various 18th and 19th Century entomologists including Maria Sybilla Merian, who pioneered her theories on the subject. Most of the antique prints are available, so keep scrolling down to see all of our collection.
Insect prints showing butterfly transformations by Maria Sybilla Merian: Roses and Butterflies.
This extraordinary set of insect prints showing butterfly transformations & metamorphoses consists of three pieces. The exquisite set of antique rose and caterpillar prints are hand colored engravings date to 1730 Amsterdam. It is the rare work of Maria Sybilla Merian and her Insects of Europe. Her insect prints showing transformations & metamorphosis are a trademark of her work on art & entomology. Each piece measures 9×11″ and has been framed with archival materials. Shoud be sold as a trio for $1200.
Insect prints showing butterfly transformations by Maria Sybilla Merian for Insects of Europe:
Insect Prints Maria Sybilla Merian coming from her Insects of Europe, published in Amsterdam in 1730 by Maria Sybilla Merian’s daughters Dorthea & Maria. These are hand colored copper plate engravings on hand made hand laid rag. Framed using the finest archival materials, each piece measures 11 1/2 x 12.” The high end molding is dark green and gilt gold leaf. Call 413-245-4197.
Insect Prints showing transformations & butterfly metamorphosis: Insects of Europe by Maria Sybilla Merian.
These insect prints showing butterfly transformations & metamorphoses are by Maria Sybilla Merian. She pioneered her theories on the subject & roused medieval thinking once and for all. Each piece is a hand colored copper plate engraving on hand made hand laid linen rag paper from 1730. Small pieces of art, just measuring @ 7 x 8 1/4.” The prices vary from $150 and up. Click here to contact us.
Insects of Europe was revolutionary, changing Medieval thought forever.
Insects Prints from Insects of Europe by Maria Sybilla Merian. An AMAZING work on European Entomology was published in Amsterdam in 1730. Maria Sybilla Merian was the first person, a pioneering woman, to explain through these stunning illustrations, the transformation & metamorphoses of butterflies, moths and other insects. Her work on butterflies and moths on Insects of Europe was revolutionary, changing Medieval thought forever. An incredible woman lead this significant discovery, and to proved the stages of the transformation to the male dominated world of science. Up to this time, it was thought that butterflies were birthed from various sources, rather than from a cocoon or pupa. She was enthralled with insects at a very young age collecting and studying them. Women were not allowed to work in oils, only men were permitted so she worked in water colors. Another huge influence on her life’s passion for creating these remarkable insect prints was that her step father was a famous publisher!
Insect Prints Maria Sybilla Merian Metamorphosibus Insectorum Surinamensium
A famous & rare work authored by Maria Sybilla Merian with depictions of insect transformations. Entitled Metamorphosibus Insectorum Surinamensium, Maria Sybilla Merian’s daughters worked on the “Insects of Surinam” which was published in 1730. These prints are hand colored copper plate engravings on hand made hand laid linen rag. Each old print measures 14 x 20 1/2.”
Insect prints showing transformations & butterfly metamorphosis.
The unusual antique insect prints come from Maria Sibylla Merian’s work entitled Metamorphosibus Insectorum Surinamensium. Published in The Hague, The Netherlands in 1730. The work features the insects and plants of Surinam in the Dutch Colony of South America. Fantastic composition and stunning details make this rare work one of the most sought after botanical or insect works in existence. After viewing a collection of insects from South America inspired Merian and her daughter Dorothea Maria to embark on an expedition to Surinam, on the North East corner of South America. She proposed the concept of transformation in Medieval times, to a male run society. She was going to provide proof to the contrary by documenting the transformation, first in water color and then engraved.
Engraved for books, Merian’s modern theory on metamorphosis disproved Medieval thinking.
Merian’s large folio was the result of going to such a remote area, a remarkable adventure for a young woman. It took her months to get to there and months to get back to Europe. And later lead to her death. Thankfully her daughters helped to complete this magnificent work on transformations. Her work focused on Surinamese flora and the entomology there. Her Insects of Surinam and Insects of Europe illustrate the Transformations & Metamorphosis of Insects and the plants on which they fed. Considered as some of the most famous documents published on the subject of Insect transformation during the 18th Century. Considered a revolutionary woman of her day, Merian is considered to have been one of the most significant contributors to the developmental stage of the field of entomology (a branch of zoology that deals with insects). She was a life-long dedicated entomologist. She also worked as a botanical artist, portraying insects with their host plants. Maria Sibylla Merian described the life cycles of some 186 insect species. Her specific area of interest, in the metamorphosis of insects, was the life cycles of moths and butterflies.
Insect Prints by Moses Harris. The Aurelian, 1796. Rare Hand Colored Engravings.
Insect Prints showing transformations & butterfly metamorphosis.Moses Harris Aurelian. Hand Colored Insect Prints. These beautiful old butterfly prints are the work of Moses Harris, coming from his great work on Butterflies entitled The “Aurelian.” These are gorgeous, water colored engravings on hand made rag. These Butterfly Prints were produced in England in 1796, by Moses Harris – Chief of the Lepidoptera Society(or Butterfly Society). And an EXPERT ON COLOR! He was the first to illustrate the color wheel we still use today.
These lovely old engravings at perfectly to 16 x 20″ (the prints measure about 14 x 17″) Click here to contact us.
Oliver Goldsmith Entomology. Antique Hand Colored Engravings of Beetles, 1850.
Oliver Goldsmith Entomology. Insect prints showing butterfly transformations. Hand Colored Engravings. Published in Edinburg, Scotland in 1850. Each old print measures 6 1/2 x 10″ Click here to contact us.
Baron Cuvier Entomology Prints. Beautiful 19th Century Engravings of Bugs!
Insect prints showing butterfly transformations. Baron Cuvier Entomology Engravings, published in 1805. These are black & white English copper plate engravings on rag paper. Each old print measures 6×9″ Click here to contact us.
Antique hand colored Butterfly engravings c.1800, framed with archival materials.
Vintage hand colored butterfly engravings. Trio of c.1800 butterfly engravings with archival framing, in walnut burl veneer. The 2 larger pieces measure 13×16, and one smaller measures 11 wide x 9 high. A perfect trio. Set of three $475. Click here to contact us.
Shubert Insect Prints. Hand Colored Engravings from c.1875
Shubert Insect Prints. Hand colored entomology engravings published in Germany c.1875. Each of the insect prints showing butterfly transformations has multiple species in each depiction.
Each piece measures @14×18″ and run $95.each, 3 or more $75. each. Look with care, some smudging… Click here to contact us.
Insect Prints: Stunning American Chromolithographs of Butterflies, from 1885, Framed and ready to hang!
Trio of 1885 American chromo-lithographs of Insect prints, with archival framing, each measures 13×16″ Sorry this set of insect prints showing butterfly transformations is sold, however I do have another set and would be happy to offer custom framing for them. Click here to contact us.
JJ Schmuzer Insect Prints. Rare hand colored engravings from Vienna, c.1805.
Insect prints showing butterfly transformations by JJ Schmuzer published c.1805 in Vienna, Austria. Small size, just measuring in at 4 x 7.” German hand colored copper plate engravings on hand made rag. Wonderful transformation stages of butterflies, caterpillars, moths, pupa, dragon flies and other bugs. An entomologists dream come true! Click here to contact us.
Humphrey Butterflies and Moths, English hand colored Insect Prints:
Published in England in 1865 the insect prints showing butterfly transformations here are by Humphrey. They are hand colored antique lithographs in good condition and measure about 8×11″ Call 413-245-4197 to place your order. Discounts on sets.
Insect prints showing butterfly transformations. Lovely old antique prints of Butterflies, Moths, Beetles, Dragonflies, Caterpillars and other Bugs! Old engravings and lithographs of entomological specimens from the 18th & 19th Centuries by Moses Harris, & Maria Sybilla Merian. Insect transformations and more… . These insect prints are old engravings and lithographs by various 18th and 19th Century naturalists.
Nodder Butterfly Prints! 18th Century. Antique Hand Colored Engravings of Butterflies!
Nodder Butterfly Engravings. Hand colored 18th Century prints published in England c.1790. Stunning condition and colors. Each print measures about 5×9″ Check back for more. Click here to contact us.
Maria Sibylla Merian: A History Written by Christina Clarke of Williamsburg, VA.
- Written February 9, 2015 for the use of Anne Hall Antique Prints. My friend Christina is captivated by Merian as an entomologist, artist and as a woman so she wrote this essay on her and has allowed me to publish it. Christina finds her insect prints showing transformations & butterfly metamorphosis by Maria Sybilla Merian absolutely captivating.
- April 2, 1647 – January 13, 1717 This remarkable woman is considered to have been one of the most significant contributors to the developmental stage of the field of entomology (a branch of zoology that deals with insects). She was a life-long dedicated entomologist. She also worked as a botanical artist, portraying insects with their host plants and painting flowers. Maria Sibylla Merian described the life cycles of 186 insect species. Her specific area of interest, in the metamorphosis of insects, was the life cycles of moths and butterflies.
The Merian Family History and its Impact in the 17th Century
- Matthaus Merian the Elder, was a painter and engraver in Switzerland, France, and Germany. In 1646, a year after the death of his first wife, Merian the Elder married Johanna Sibylla Heim, whose heritage was Dutch. Maria Sibylla Merian was born to the couple a year later, in Frankfurt, Germany, in 1647. Her father died when she was three years old. In 1651, her mother married Jacob Marrel, a German flower/still-life painter and art dealer, who was a widower with three young children. They lived in Frankfurt, Germany, where Jacob Marrel established a workshop and had two apprentices for instruction in drawing, painting and engraving. He and Maria Sibylla Merian developed a unique relationship. Marrel introduced Maria Sibylla to the art of miniature flower painting, against her mother’s will. Maria Sibylla secretly began to teach herself to draw and paint. Studying alongside Marrel’s male pupils, she learned how to draw, mix paints, paint in watercolor, and make prints. By the age of 11, she could engrave a copperplate. Beginning at age 13, when Maria Sibylla observed the metamorphosis of a silkworm, her documentation of nature continued for more than 50 years. She was enthralled with the raising of caterpillars “in glass jars, wooden boxes covered with gauze, in her attic and cellar” (Reitsma, 2008, p. 25). She was especially interested in capturing and raising caterpillars, to observe and document their life cycles. Maria Sibylla was tenacious in her collection and raising of thousands of caterpillars, over decades, and documenting their life cycles, i.e., drawing and describing them with careful attention and accurate details.
Maria Sybilla Merian: Artist, Entomologist, Author, Wife and Parent
- Johann Andreas Graff (1636-1701) was her step-father’s favorite pupil. Maria Sibylla and Johann A. Graff were married when she was 18 (1665). Johann was near 30 years old and was a publisher. They moved to his native Nuremberg in 1668. As a woman, Maria Sibylla Graff was prohibited from selling oil paintings, but was permitted to paint in watercolor on vellum. She taught embroidery and painting to the daughters of respected citizens in Nuremberg. The Graffs had two daughters, Johanna Helena (born 1668) and Dorothea Maria (born 1678). While in Nuremberg, Maria Sibylla began her prodigious publication of books on flowers and caterpillars. In 1675, the first volume (of three) of Neues Blumenbuch (New Book of Flowers) was published, by Johann’s publishing company. Each volume had 12 flower plates.
Der Raupen wunderbare Verwandlung und sonderbare Blumen-nahrung
- In 1679,Volume I, of her 3-volume book, Der Raupen wunderbare Verwandlung und sonderbare Blumen-nahrung (The Wondrous Transformation and Singular Plant Nourishment of Caterpillars) was published in German through her husband’s company. This publication illustrates the metamorphosis of caterpillars, against the background of their host plants. It was the first work in history to link art and entomology. In the preface of this phenomenal publication, Maria Sibylla states that she wrote it as a means of worshiping God (Reitsma, 2008). Also known as The Caterpillar Book, it was also published in Frankfurt in 1683 and posthumously, in Dutch, in Amsterdam in 1717. About 1686, Maria Sibylla left her husband. They later divorced, in 1692. She dropped Graff as her last name, and was thereafter known as Maria Sibylla Merian (her birth name). She, her two daughters, and her elderly mother, moved to a religious sect community known as Labadists, near Amsterdam, The Netherlands. While there, Marian developed a fascination for the tropical plants brought to the religious community by fellow Labadists, from their Suriname plantations in South America. In 1691, following the collapse of their religious community and the passing of her mother, Merian and her daughters moved to Amsterdam. Merian and her daughters, both of whom learned the skills of art from their mother, established a studio in Amsterdam. They painted birds, insects, and flowers. Merian had maintained contact with some of her Labadist acquaintances, and knew there was a Labadist plantation, in the Dutch colony of Suriname (AKA Surinam), on the northern coast of South America (Dutch Guiana). In 1699, at age 52, Merian decided to go to Suriname, where her older daughter, Johanna Helena, the wife of a Dutch merchant, was already living. She sold more than 200 of her paintings to raise money for the trip, and wrote a will before she left. Merian and her younger daughter, Dorothea Maria (age 21), traveled to Suriname and resided as guests of a Labadist plantation. Her observations of the local climate, where she and Dorothea resided during their two-year stay, are expressed in her accounts of Nature: vibrant butterflies, voracious caterpillars and ants, menacing reptiles, exotic fruits and vegetables, and treacherous jungle explorations (Getty Museum, 2008). Her accomplishments included describing the local uses of animals and plants — for some, she gave them their native names (Reitsma, 2008). Though she had hoped to stay in Suriname for five years, Merian developed a tropical fever (malaria?) and had to return home, in 1701, several years earlier than she had anticipated.
Metamorphosis Insectorum Surinamensium – Metamorphosis of the Insects of Suriname
- The book for which Merian is the most famous is the one she published about the insects and host plants, that she observed, drew, and collected in Suriname (Metamorphosis Insectorum Surinamensium – Metamorphosis of the Insects of Suriname). This book was initially published (in Dutch and German) in 1705. Merian devoted several years to this publication, which depicted a number of plants and insects that had not previously been seen or described in Europe. “This book was groundbreaking in many ways and had enormous impact on European perception of the tropical New World, the life cycles of insects and the manner in which natural history subjects could be portrayed graphically to show something of their natural context” (Bulletin of the Hunt Institute, pg. 8).
Scientific Achievements by Maria Sybilla Merian
- Maria Sibylla Merian’s skills in observation and research, and her artistic talents, were a lead into the world of science. She helped to put entomology – the study of insects – onto a more scientific footing. Her publications were in German, or Dutch, rather than Latin, which was the publication language of scientists, at that time. It is of note that, together, her three books generated 19 editions, between 1665-1771. Both of Maria Sibylla’s daughters, Dorothea and Johanna, ensured the circulation of their mother’s scientific artwork. Upon returning from Suriname, Merian continued to supplement her income by selling insects and other creatures she had preserved. In 1702, the following creatures were listed as “animals in liquid” for sale: 1 crocodile, 2 large snakes, 18 small snakes, 11 iguanas, 1 gecko, and 1 small turtle. This activity continued for another decade. In 1715, Maria Sibylla suffered a stroke and was partially paralyzed. She died in Amsterdam on January 13, 1717. The day of her death a large number of Maria Sibylla Merian’s paintings were sold to an agent of Tsar Peter the Great for his new natural history collection in St. Petersburg, Russia. References: Bulletin of the Hunt Institute for Botanical Documentation. Vol.22, No. 1, Spring 2010. Pittsburgh, PA: Carnegie Mellon Univ. Jacob-Hanson, Charlotte. August 2000. The Magazine Antiques. New York: Hirschl&Adler Galleries. J. Paul Getty Museum.Getty Center Exhibitions. 2008. Maria Sibylla Merian & Daughters: Women of Art and Science. Reitsma, Ella. 2008. Maria Sibylla Merian & Daughters: Women of Art and Science. Zolle,The Netherlands: Waanders Publishers. Todd, Kim. 2007. Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis. Orlando, FL: Harcourt, Inc. Wettengl, Kurt. 1998. Maria Sibylla Merian: Artist and Naturalist. Ostfildern: G. Hatje. Various references were observed to have used different interpretations of : geographic names,, the titles of Merian’s publications, historical information, and the languages used for publications (i.e., Latin, German, Dutch). Christina Clarke February 9, 2015